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The Nashville Scene's 12th Annual Country Music Critics' PollTop Ten Country Albums of 2011:
Top Ten Country Singles of 2011:
Country Music's Three Best Male Vocalists Of 2011:
Country Music's Three Best Female Vocalists Of 2011:
I think differently about Country music than I did 42 years ago, when I drove from New York cross country with a Chicago-based bluegrass banjo-player, and back from San Francisco again. Everywhere we went we hunted Country stations, and frequently Country Gospel stations to while away the miles. It seemed to me at the time that Country was all either 1920s- 30s- 40s-eras nostalgia or saccharine-sweet contemporary tracks with major orchestral strings. I loved listening to Uncle Dave Macon and Charlie Poole and whatever was playing on The Grand Ol' Opry, but hated the pop arrangements favored by the big names whose earlier songs I've loved, and quickly punched up a Gospel station, if that was all I could find to wash the sugary taste from my ears. What I was amazed to discover, though, was that outside New York City, where I listened to alternative rock around the dial, there were more Country or Country-leaning stations than any other kind. For a New Yorker, that was eye-opening. What I've noticed now, is that a fondness for a certain level of what I would have then described as schlock has crept in to my taste. Sometimes I lean on Country as comfort music, and weep every time I watch George Strait sit down on the apron of a Las Vegas stage to sing "I Cross My Heart" to his sweetheart in "Pure Country." Other times, I breathe a sigh of relief when my interest in alt.country and alt.folk and alt.rock cross-pollinates. I love the Fleet Foxes, The Decemberists, Teddy Thompson, and Mumford & Sons, but can never forget that I listened with love to The Nitty Gritty Dirt Band, Tracy Nelson, and Emmylou Harris in the 1970s, to Lyle Lovett and Mary Chapin Carpenter and Rodney Crowell and Roseanne Cash in the 1980s, to Top 20 Country in the 1990s, and to all sorts of weepy one-off songs I've heard on Louisiana Country radio stations in the dozen years since the Millennium ("There's A Hole In The Floor of Heaven" is a prime example). Even the bombastic mainstream acts I've barely tolerated over the years have caught my ears, through the moderating medium of nostalgia. I guess what I think now, is that, barring some hip hop and heavy metal acts, it's all Country. Did I mention that Hayseed Dixie is my current favorite band? And may they come out of retirement real soon.
Back to Leslie Berman's Voting Record
© 2003-2012 Leslie Berman
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